Lexie Carlyle has always believed the world was ordinary—until she learns how wrong she is. Hidden beneath the surface of everyday life lies something vast, ancient, and extraordinary. And Lexie, a nineteen‑year‑old with a past she doesn’t understand, is bound to it in ways she could never have imagined. As her true nature awakens, Lexie must face the dangers of the hidden world and confront the terrifying beauty of who she really is. Because embracing her fate might be the only way to claim the love she’s been destined for.

Years have passed, but time hasn’t dulled the pull between them. Adalyne has built a quiet, steady life far from the chaos of her past. The world no longer feels like a battlefield—until Jazmin Valencia walks back into it. A chance encounter forces open old doors neither of them were ready to face, and suddenly Adalyne is no longer the girl who ran, nor the woman who could ever forget. Jazmin has her own ghosts to reckon with—years defined by sacrifice, guilt, and the haunting memory of the wife she let go. When circumstances bring them together again, the distance between who they were and who they’ve become feels impossible to cross. Yet, in every conversation, in every lingering glance, the truth resurfaces: love has always been the one thing they couldn’t unlearn. Now, with the past threatening to reclaim them and the future uncertain, Adalyne and Jazmin must decide if love can survive not just separation, but transformation. To find their way back to each other, they will have to face the hardest question of all—can two broken hearts learn to beat as one again?

She has freedom at last—but freedom doesn’t mean forgetting. Adalyne should feel liberated. After breaking away from the crushing grip of her family’s cult and the marriage of convenience that bound her to Jazmin Valencia, she finally has the life she once only dreamed of: her own choices, her own body, her own future. But independence is lonelier than she imagined. Navigating a world of possibility—women who adore her, nights filled with promise, and a heart desperate to belong—Adalyne discovers that freedom also means facing the ache she cannot outrun. Because no matter how many arms she finds herself in, one truth remains: she is still married to Jazmin, the woman who both saved and shattered her. Caught between the lure of new beginnings and the ghost of a love that refuses to fade, Adalyne must confront a question she has long avoided: can she truly become her own if her heart has never stopped belonging to someone else?

From the first thaw to the last frost, a lesbian Japanese poet traces love’s small rituals and the wild answering call of forest, tide, and sky. Divided into Spring, Summer, Autumn, and Winter, the collection follows a year’s turning—under moonlight and the watch of winter wolves, through spring rain and summer heat—gathering moments of body and spirit, hunger and return, grief and renewal. For readers drawn to contemporary queer poetry, to minimalist lyric and the intimacy of nature, Songs of the Wolf and Moon offers brief pieces to savor in one sitting or wander back to. Its themes span sapphic love and longing, Japanese place and sensibility, wilderness and weather, memory and ritual, until the year closes like a hand cupping flame—warm, certain, alive in the dark.

When Alma Peretz, freshly graduated from college and reluctantly back in her quirky Florida hometown, bumps into the last person she ever wanted to see—her high school English teacher and unrequited crush, Rachel Adler—her plan to quietly rebuild her life starts to unravel like a poorly carved jack-o’-lantern. Alma has never quite lived down the sting of confessing her feelings to Rachel on the last day of senior year, only to be gently but firmly turned away. Now, in a small city where everyone knows everyone, avoiding her is almost impossible. The coffee shop, the bar, even the corner store seems haunted by Rachel’s presence. When her old best friend dares her to finally face the town’s infamous tradition—spending one night in the supposedly haunted Harrington House, a rite of passage she’d always chickened out of—Alma reluctantly agrees. After all, she’s determined to shed her fears and start fresh. But when she shows up at the doorstep with shaking hands, she finds Rachel already there… confessing she never braved the house either. Forced to endure creaking floors, flickering candles, and maybe more than one mischievous ghost, Alma and Rachel must spend the night confronting both the supernatural and the unspoken tension between them. Alma might realize the only thing more terrifying than Harrington House is risking her heart again. And this time, Rachel might just be ready to meet her halfway.

High school teacher Jazmin Valencia has survived heartbreak by constructing walls—unfeeling, remote, and strictly in control, she refuses to let the world close enough to wound her again. But her detachment shatters when she takes notice of a student who seems as lost and hurting as she once was. Determined to save the girl from darkness, Jazmin throws herself into her care, all the while battling a dangerous attraction that threatens to consume them both. Jazmin is forced to choose: keep her heart barricaded, or risk utter ruin for a taste of something forbidden. She may lose the very fortress she's built to survive... but what if losing herself is the only way to truly live?

This alternate universe follows Anna and Daniella’s journey in a reality where Daniella chooses to teach at a different school. What are the odds?

The job is easy. Eretz Hayim, a professional spy and assassin with the code name Yael Hanani, has to infiltrate the life of Eve Blau, a successful businesswoman with a company holding so much power that it's hard for the common human mind to grasp fully. The mission: seduce Eve, extract confidential information, and then eliminate her to pave the way for her brother to take control. As the line between duty and desire becomes blurred, Eretz grapples with conflicting loyalties. The mission unfolds in a dangerous dance of romance and betrayal, leaving both women entangled in a web where love and espionage collide. Will the heart survive the shadows of deceit, or will duty extinguish the flame they dared to ignite?

Esther Agassi is a feared and respected woman. She worked hard to earn her position as head of the marketing team at a well-known magazine—and she’s working even harder to keep it. In fact, so hard that she may have lost the ability to enjoy anything besides work, work, and more work. But all of that changes the moment her team’s new intern walks into her office. Do you believe in hate at first sight?

Book #2 from the Ms. Evans series.

Anna Krause is in her senior year and more than ready to leave high school behind and start a fresh life without homework. What she didn't expect, however, was that she might want to spend a little more time inside what she thought was a prison... once she meets her new calculus teacher. A fresh, lighthearted, and warm take on the classic tale of forbidden love — romance, humor, and plenty of banter.

Two women, one straight and the other lesbian, come together.

The story of what happens to Laura when she makes it to New York and meets the handsomest, most swashbuckling, and world-weary butch in the city: Beebo Brinker, the character for whom the series is named. Much of the story takes place in Greenwich Village, then a Mecca for members of the GLBT community, much as was Paris in the Roaring Twenties, and the Castro District in San Francisco today.

Women in the Shadows picks up with Beebo’s relationship with Laura waning, as both women become caught in the cultural tumult (gay bar raids, heavy drinking, gay rights advocacy) that anticipates by ten years the Stonewall Rebellion of 1969. New introduction explains the book’s evolution, including the role Bannon’s divorce played in shaping the lesbian protagonist’s outrage.

What happens to three strong, beautiful women when one of them — Beth — rediscovers her passion for another — Laura — only to run headlong into the arms of the third — Beebo Brinker herself.

Amberle meets and falls in love with McKayla, only to find out her lover is hiding a dark secret which could destroy their relationship.

A chance encounter leads Michelle to an interesting afternoon, one filled with delights once thought only to be the stuff of memories.

Follow the lifestyles of a large cast of characters as they go through the journeys of life and love in an all-girls school.

"The Well of Loneliness" by Radclyffe Hall is a novel published in 1928. It follows Stephen Gordon, an upper-class Englishwoman whose homosexuality is evident from childhood. She finds love with Mary Llewellyn while serving as an ambulance driver in World War I, but their relationship faces social rejection and isolation. Hall portrays homosexuality as natural and pleads for acceptance, but the novel was banned in Britain as obscene until 1949. For decades, it remained the most widely known lesbian novel in English and a controversial touchstone of queer literature.

A woman uses her incredible beauty to captivate both d'Albert, a young poet, and disguised as a man, his mistress, Rosette. In this shocking tale of sexual deception, Gautier draws readers into the bedrooms and boudoirs of a French château in a compelling exploration of desire and sexual intrigue, and gives voice to a longing which is larger in scope, namely, the wish for completeness in oneself.

"Carmilla" by Joseph Sheridan Le Fanu is a Gothic novella published in 1872. A foundational work of vampire literature that predated "Dracula" by 25 years, it tells the story of young Laura, who lives in an isolated Austrian castle. When the enigmatic Carmilla arrives after a carriage accident, the two girls form an intense friendship marked by romantic advances and unsettling mysteries. As young women in nearby towns begin dying from an unknown illness, Laura experiences disturbing nightmares and her health mysteriously declines.

"The Poems of Sappho" is a collection of poetry representing the work of the ancient Greek poet Sappho, believed to have been written during the 7th century BC. This interpretative rendition offers readers an English-language experience of Sappho's lyrical poetry, which is primarily focused on themes of love, beauty, and the experiences of women in her society. Given its classical roots, the collection provides a glimpse into the emotional depth and cultural context of Sappho's work, emphasizing its lasting relevance. The collection includes various poems that explore Sappho's relationships, desires, and her devotion to Aphrodite, the goddess of love. It vividly portrays the emotional landscape of love, ranging from ecstatic joy to profound sorrow, often addressing both the divine and mundane aspects of her experiences. Through flowing verse, Sappho reflects on her feelings towards her beloved Anactoria, celebrates the beauty of youth and nature, and laments lost love, encapsulating the essence of human emotion with striking imagery. Each poem serves to affirm Sappho's mastery of language and her ability to articulate the complexities of desire and feminine experience, making it a significant work in the literary canon.

Originally published in 1928, Orlando, one of Virginia Woolf’s better-known novels, provides a splendid example of Modernist experimentation with genre and storytelling. Orlando is a young Elizabethan nobleman who loves writing poetry as much as he does hunting, wrestling with the household dogs, and indulging in a fine night’s carouse. After being favored by Queen Elizabeth herself, he falls tragically in love. But as he nurses a decades-long heartbreak, Orlando realizes that poetry provides little solace. Sometime in the eighteenth century he escapes England as an ambassador to Turkey, where after a mysterious illness he awakens as a woman—but still not a published author. While the arts of reading, writing, criticism expand, Orlando’s poetic aspirations remain frustrated until the twentieth century, when, having returned to England, she finds love, life, and her voice at last. On its surface the biography of a fantastic Elizabethan nobleman, the novel is frequently described as a love letter to Vita Sackville-West, who had a lengthy affair with Woolf in the early 1920s and whose family history undergirds much of the detail of Orlando’s life and home. Orlando also features Woolf’s masterful stream of consciousness technique, employed metafictionally as Orlando and the narrator compose in tandem the novel’s intricate final chapter. Most importantly, Orlando’s absurd fantasy is underpinned by wit and humor: Orlando is a comic—sometimes satirical—text, revealing a side of Woolf rarely seen in her earlier work. A lighthearted romp of a book, Orlando remains resolutely literary and asks lingering questions about the construction of gender, the intersection between “the spirit of the age” and artistic creation, and what loving another person really means. Woolf was one of the most important Modernist writers, and Orlando reveals her at her playful, shimmering—dare we say sexy?—best.

"Regiment of Women" by Clemence Dane is a novel published in 1917. Set in an Edwardian girls' school, it explores the intense relationship between two teachers: the charismatic, controlling Clare Hartill and young Alwynne Durand. As Hartill's dominating influence over Alwynne deepens, a student's tragic death exposes darker truths. When Alwynne's aunt intervenes, sending her niece to the countryside to recover, new possibilities emerge that challenge the bonds Hartill assumed unbreakable. This debut novel examines power, manipulation, and emotional dependence within a closed world.